So, Christmas is over in the PR All-St★rs world, and Casanova is probably lying under a tree somewhere waiting
for Ivy to bring him soup.
Now, it's back to business,
Roaring 20s style. I know, huh?
Not Heidi appears on the
catwalk with envelopes and they ain't no Christmas cards. This challenge will
be about the 1920s, and will be a Fashion Face Off.
Dun dun dun dunnnnnnnnnnnnnnn.
Not Heidi educates us--via a
team of PR staffers--that the 1920s was the beginning of a new era for
women's fashion and so the designtestants must create a look for the modern
woman inspired by the 1920s and an imaginary event the women will attend:
Garden Party, Social Soiree, or After Hours Speakeasy.
And, since the designtestants
will go head to head, one from each category will be the high score, and one
will be the low score.
And the lowest of lows gets
the boot.
GARDEN PARTY
"I think my girl
owns the estate, while [Josh's] girl is just a guest."
I didn’t think this was one of
Emilio’s strongest pieces. In fact, I thought it was a rip-off of a dress Diana
Ross wore in Lady Sings The Blues; a little too close for comfort, I thought.
Carolyn loved the back detail,
which, well, is that high praise? Gretchen Mol--a guest judge because she’s on Boardwalk
Empire which takes place in the 20s so she's an expert?--called it lady-like,
while Georgina said it lacked personality and doesn't think Emilio has a stamp
of design that he puts of everything. Jenny Packham--guest judge and British designer--called
it elegant but dated, while Isaac said it looked more 1930s than 1920s.
Sidenote: the dress Diana wore
is from a scene that takes place in the 1930s so Isaac and I are on the same
page, and I love that.
Emilio wins his face-off, but,
as Isaac also said, this dress is not a challenge winner.
JOSH
"[Emilio's] girl may own
the estate, but she's just the appetizer for her husband, my girl is the main
course."
Joana Coles thought it might
go "too marsupial" with the drape-y pouch in front.
I didn’t get it. I didn’t see 1920s;
I saw a purple toga worn over a gray muscle shirt. The only interest was the
flash of lime green as the model walked away.
Georgina Chapman loved the cut
of the dress, and thought it a modern take on the 20s, while she hated the
broach and the accessories. Jenny Packham dubbed it snappy! Actress Gretchen
Mol loved the lime green slash in the back, while Carolyn Murphy called it
modern, but safe. Isaac simply said it was not interesting enough, but still,
not so bad that Joshua should go home.
He gets a pass.
AFTER HOURS SPEAKEASY
ANTHONY RYAN
"I will not mind
exterminating Ivy."
At first again like Isaac, I
didn't like the capelet--though I love a good feather--but when the model
removed it, and you saw that high neckline underneath, it didn't seem cool and
20s and sexy and, well, After Hours. I would have liked the outwear piece to
have had a plunging neckline so you might see the inside piece better.
Jenny Packham loved it because
it was modern and exciting, and loved the dangerously low-cut back--a signature
move by Anthony Ryan. Gretchen called it young and fun and I wondered if we saw
the same dress. Isaac hated the capelet, then loved the capelet, while Georgina--an
obvious Anthony Ryan fan--loved that he makes all his designs seem Anthony
Ryan; it's another way of saying original.
And another way of saying Anthony Ryan gets his third win.
IVY
"If it doesn't work, I'm
done."
Ivy was funny. At first she
thought Anthony Ryan was working too closely to her, and spying on her, and I
kept thinking, Girl! You should be spying on him since
you've yet to win a challenge and have spent the last three weeks in the
cellar.
When Joana Coles asks them to
rate one another’s work, Anthony calls Ivy's a strong 7/8; she gives him a
5. Seriously, not cool for someone who's going home....next week.
I don't get Ivy. What about
the 1920s says "leather shoulder straps"? And what about the 20s says
slap a heavy piece of cloth on her like she just stepped out of a shower and
all she could find was a sequined towel? It was so heavy; I seriously thought
the model was having trouble walking.
Carolyn said she'd seen it
before....in a horror film....and that it was poorly made.....like a bad horror
film. Isaac said the back was better than the front, which, again, is that
really a compliment if a woman looks better walking away? Georgina gave it a
"not sexy" and wondered how and why Ivy could take the most expensive
fabric and make dreck. Well, I'm translating for her from the original English.
Jenny Packham wondered why Ivy would put feathers on it when they got lost amid
the sequined carpet runner, while Gretchen Mol said it had grown on her....like
a fungus one might get stepping out of a bathtub onto a dirty floor with no
bathmat.
Is it obvious yet that I didn’t
like this?
But it still got a pass.
SOCIAL SOIREE
ULI
"Facing off against Laura is going to be tough."
I was so happy that Uli ditched her old beachwear flowy
dresses, but now she's stuck in the white, embellished, feathers and sequins
style. She really needs to mix it up, because, while this was nice--and oh so
definitely 1920s--it looked like her dress from last week, and like her dress
from the Disco Challenge.
Georgina wasn't a fan of the cowl, and said it made the
dress look heavy; as soon as the model took it off, the dress was much better.
Isaac loved it but thought the white fringe made it look cheap--like it was
stolen from one of Elvis's old jumpsuits. Gretchen also liked it best without
the cowl, but then Not Heidi said she liked the cowl, so, whatcha gonna do?
Uli, who was worried about facing off against Laura really
had nothing to worry about.
LAURA
"I don’t need feathers to compensate for my
design."
Then she says she'll use fur; an embellishment. And she
keeps saying fur coat and then she makes a Fred Flintstone half-vest out of fur
that looked like the bathmat from a cheap hotel.
Such a high level of taste; not.
I didn't get it. It didn’t look 1920s at all. The color was
dull, and the design was too simple, and it read more Ann-Margret than flapper.
Isaac loathed the fur, and called it cavewoman, while Georgina
smacked Laura, who's supposedly the Pant Girl, for making a pant that makes the
model look hippy--and not in the 1970s cool, fun way--and that the shiny fabric
at the crotch looks a little penis-y. Jenny Packham thought it looked sophisticated--and
I think maybe Duchess Kate should get a new designer--and that it moved well. Now
that's a compliment: "It moves well."
So does a donkey.
Gretchen Mol could only utter, "There's a lot
wrong," and Carolyn Murphy managed to stutter, "Go home Laura, you're
done."
I shouted "Hurray!"
MY TAKE
I think a lot of the designers missed the mark and went too
costume....Uli....and went too safe....Joshua. I think, had Joshua gone for a
more decadent fabric, and not some Plain Jane stuff, he might have won. I think
Emilio proved he's a great costume designer, for movies from 1972, and I think
Ivy made a wise choice to step away from the sheer, but a wrong choice to slap
a rug on her model.
I think Anthony Ryan will win the whole thing and I think
Laura Kathleen is sitting at home, pushing pins into an Isaac Mizrahi voodoo
doll.
Oh, and before I forget, here's Miss Ross from Lady Sings The Blues and Emilio's dress from last night. If he'd gone more flouncy sleeves and big hat, it would have been dead on rip-off.
What did YOU think?
Maybe Laura should have used feathers? At least we're liberated from DVF jumpsuit ripoffs.
ReplyDeleteI think Uli got robbed on this one, but the right people were in the bottom three this time around.
We were looking for a way to express our view of the crotch on Laura's pants.... LOLOLOL!
ReplyDelete