Wednesday, August 05, 2026

Architecture Wednesday: The Natzler Residence

This home, in Upper Nichols Canyon in the Hollywood Hills, tucked at the end of a long private drive, is on the market for the first time in 80 years. Built in 1937 the home served as both sanctuary and working studio for master ceramic artists Gertrud and Otto Natzler, who purchased the property in 1945 and it remains a testament to their creative lives.

Drawn to the site for its privacy, natural light, and detached guest house—which they envisioned as a studio—the Natzlers transformed the property into a center of artistic and musical life.

In sun-filled rooms overlooking treetops and quiet canyons, Gertrud threw delicate ceramic forms on the wheel while Otto developed groundbreaking glazes; together they hosted intimate chamber-music evenings and gathered a circle of artists, musicians, and thinkers to a serene, natural, space removed from the pace of the city .

The original house remains intimate and unconventional—a sequence of cozy, character-rich rooms including a living room with fireplace, dining room, and a kitchen with ceramic tiles, many glazed by Otto Natzler. The main residence includes two bedrooms and two and one-half baths; the second bedroom later became Otto’s office following completion of a 1988 addition.

Their hillside studio eventually proved challenging for photographing ceramics with the precision their archive demanded so in 1988, Otto commissioned a striking two-story addition inspired by his Austrian roots—a nod to an Alpine chalet. Designed for photographer Gail Reynolds Natzler, Otto’s second wife after Gertrud’s passing in 1971, the addition introduced a dedicated studio and darkroom and above that a large primary suite with laundry, bath, vaulted ceilings, and walls of windows; both levels open to wraparound balconies with sweeping canyon views. The original detached Natzler ceramic studio suite, situated above the two-car garage, is preserved in remarkable condition with its own kitchen, small bedroom, and bath.

The property directly abuts the Briar Summit Open Space Reserve, ensuring lasting privacy and a strong connection to the surrounding landscape and for the first time since 1945 it can be yours for $2.5M and you can test your own creativity.

As always click to emBIGGERate…

28 comments:

  1. Bob, you had me at cozy, character-rich rooms!!!! I might update the kitchen a tad but wouldn't want to disrupt much of the original concept. The outside, almost chalet looking, and the nature and landscape really sold me. I like the feeling of almost living in a treehouse.

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    1. I also like the idea of a live-work space. And the sense of history in the design and build.

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  2. Privacy an character? I’m in.
    I don’t Ming the addition and the main house is very cozy. If I were to live there, I’d keep the concept and just update the furniture. I’m even happy with all that wood (who would not like some wood?). The kitchen needs some love tho.

    XOXO

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    1. I love all of it; the addition was designed by Otto and features a chalet aesthetic from his youth.
      I like the kitchen and would keep the tiles, but maybe refresh the cabinetry!
      xoxo

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  3. I like this. Those kitchen tiles? Brilliant. The only problem I can think of is that homes on hillsides in California tend to have issues with earthquakes.

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    1. Well, it's been there 90 years and still in one piece!

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  4. It's so very uncluttered - impressive.

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    1. The house is very minimalist, and even some of the studios are bright and airy and open.
      I love the views of the hillside from the studio space.

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  5. The initial photo immediately call Fallingwater. Gorgeous. But then the difference between the original and the addition becomes quite stark.

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    1. Yes, the addition was a tribute to Otto's childhood home.

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  6. Anonymous11:01 AM

    the dog's mother
    xoxo :-)

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  7. Ramón11:05 AM

    Did they make what is known as California Petalware?

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    1. I didn't find any info on the Natzler's and Petalware!

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  8. It doesn't appeal to me, but I can agree it is a rare piece of history.

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    1. It does feel like two different homes, which it kind of is, so I liken it to a family compound for multi-generations.

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  9. I like everything about this one, dark wood and kitchen tile included. I know, shocker right? You just never know what I'm going to like.

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    1. :::thud::::
      I have to note this in my diary ... on this day, Duchess Deedles, found her house!
      i like it, too.

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  10. Very nice. I'd buy it. Love the colorful countertops!

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    1. I usually run from grout lines--we just finally got them out of our kitchen--but those tiles are beautiful,

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  11. I am 60/40 on the home. I love the good character of a home and its history. Maybe a little updating but not to the point of stripping its soul. The coziness of the location North of Sunset Blvd. and only 20 minutes to my favorite bookstore in LA, Book Soup on Sunset is a plus. I love the outdoor spaces and the quietness of it all. I am sure there is some great hiking trails nearby. I would make sure I am fire deterrent as best as I can. Let scheduling a viewing and see if it speaks to me.

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    1. I like it as a multi-family home; I think you keep the main house as a home, and then turn the two studios into second and third home for family of rental properties.

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    1. The location is gorgeous, with the hills and the trees!

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  13. I like this. Not at all something I would normally be drawn to. Well-preserved. Charming. Vintage. Unusual. Some beautiful details and built-ins. And the setting and views! The kitchen threw me at first, but I think it would quickly grow on me (kind of like our current kitchen floors did).

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    1. I agree about the kitchen. But with all the rest I can overlook that it's small and had some unusual tiles.

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  14. There's probably a bit too much dark wood for my taste but that house looks like a home, rather than a show home and I really like it. From the front it doesn't look that special but once inside, it would be a real treat. And the back of the house is stunning!

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    1. I don't mind the dark wood because it seems confined to just a couple of rooms where it works.

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  15. LOVE IT! I have paintings to add some color, and there would be space to create more. And a Dark Room, I have not had a proper dark room in nearly 50 years, I could stir up some D-76 and load the old Nikon with Tri-X.

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