At the top of Rose Walk in Berkeley’s North Hills stands 1400 Le Roy Avenue, a 1911 Arts & Crafts residence designed by pioneering architect Julia Morgan, commissioned by independent professional woman Jessie Wallace, and carefully reconstructed after surviving the 1923 Berkeley Fire. The home dates to the first decade of Morgan’s practice, when her architectural philosophy was taking shape through residential commissions primarily in Berkeley. Morgan, California’s first licensed female architect and the first woman admitted to Paris’s École des Beaux-Arts, would go on to an illustrious career and she was posthumously awarded the AIA Gold Medal in 2014, the profession’s highest honor. The home’s original client adds remarkable depth to its story. Jessie Wallace was a professional stenographer who enrolled at UC Berkeley at age 42, graduating in 1914. Her decision to commission Julia Morgan reflected broader patterns in Morgan’s early practice: many clients were women—educators, professionals, civic leaders—seeking homes that reflected new ideas about women’s roles in society. Just three years after Wallace died, on September 17, 1923, a grass fire in Wildcat Canyon swept over the Berkeley Hills destroying more than 600 homes in a matter of hours. Rose Walk was heavily affected, with many original houses lost entirely and later rebuilt, but this home suffered minor damage though a thoughtful reconstruction preserved the home’s original footprint and architectural character. The home features wood-framed construction with gambrel roof and clapboard siding. On the front façade, paired and tripartite dormer windows capture morning sun, while French doors and casement windows on the rear of the home toward porches and garden spaces. There are also original Morgan details including multi-pane wood windows, built-in elements, and a living room fireplace; the proportions, the light, and the way the rooms flow into each other are all deliberate, yet the home never feels fussy or formal which is pure Julia Morgan: elegant without being ornamental, spacious without being grand, connected to landscape without sacrificing privacy. The main floor features a large front-to-back living area, family room, dining room and kitchen with stairs to the basement level where there is a bedroom, laundry and recreation room. On the second floor in a primary suite with attached bathroom, two secondary bedrooms one with access to a sleeping porch, a study and second bathroom. The property’s location at the top of Rose Walk is integral to its significance. Rose Walk was designed in 1913 by Bernard Maybeck, Julia Morgan’s mentor, in the Beaux-Arts tradition. This spacious pedestrian stairway has connected Euclid and Le Roy avenues for more than a century and the walk and the houses surrounding it reflect a period when Berkeley’s hills were becoming a laboratory for new architectural ideas rooted in craftsmanship, landscape, and belief that the built environment could shape daily life for the better. Rose Walk is one of those Berkeley secrets that locals treasure: a public space that feels intimate. Being at the top of it, with unobstructed Bay views extending to San Francisco and the Golden Gate Bridge, makes this Julia Morgan home a cut above others in the neighborhood. This is a home for someone who values design, who appreciates Berkeley’s history, and who wants to live in a place that feels connected to something larger than just the four walls. It’s not for everyone, but for the right person, it’s everything. And that may explain why the home sold for $800K over its asking price. As always, click to emBIGGERate … A few years after this home was completed Julia Morgan took on a slightly larger, nearly thirty year long project along the California Coast and designed Hearst Castle. |
That place is simply lovely, except for the white, but that can easily be changed.
ReplyDeleteI agree; I love the rooms and the style and the light, but it does need some color brought in.
DeleteDave stole my comment!
ReplyDeleteWell, then I agree with you, too!
Deletethe dog's mother
ReplyDeletexoxo :-)
Very nice!
ReplyDeleteGood design stands the test of time. Love the distribution of the rooms and the views. It feels uncluttered and expansive.
XOXO
For a house built so long ago it does feel very open.
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Not a fan of the exterior architectural style, but the interior is gorgeous. Expansive rooms and the bow window in the living room...very nice, indeed!
ReplyDeleteI think had it been on a bigger lot with a bigger yard it would have a different feel to it.
DeleteThat said, I do love it all, especially the Julia Morgan connection!
Very desirable interior hiding behind a less than attractive (to me) exterior.
ReplyDeleteIt could do with some more green space at the front but I imagine the hillside lot wasn't helping.
DeleteA classic really! And this place will always be in style...with so many options for interior styles. The location alone had me. My friend Kailyne lives in that area. Wouldnt surprise me if she took me past this house already. She is a huge fan of Morgan's work and Hearst Castle.
ReplyDeleteI have visited San Simeon several times when living in California and have been a huge fan of Julia Morgan's ever since.
DeleteI especially love that she worked a lot with women who were single or widowed and wanted their own homes and she built them!
I am a little late chiming in.
ReplyDeleteWhat a beautiful home. Love the light. The outside spaces are fantastic.
I would beat down that white. Those pictures, how they captured the space, are off putting. I could do a little color here and there and make the place sing. I would have done something different with the entry way. You walk in the front door and you have the stairs and to the left you peek into the dinning room. I would want something a little bit more to draw/transition my guests into the beauty of the home. As it stands now, it's worse than entering an apartment and bam your in the living room. And speaking of drawing people inside. Let's rework that outside front entrance. Nothing tells me come on in, your welcomed, and the rest of the home is even better.
Now if you would excuse me, I have to run over to the castle to see if I can borrow a cup of sugar.
If they opened up the front hall it would lose its original charm. Our house is nowhere near as old but we have a foyer as you enter and then you go into the rest of the house.
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DeleteIF we had more room then a tweak. Just something to transition and announce to visitors that the entry is special-not too fussy-and boy do we other parts of the house that will knock your socks off. Welcome.
While I not a huge fan of timber interiors, I don't think it has been overused in this rather nicely laid out house.
ReplyDeleteI agree it has a nice layout.
DeleteI like this one, though I don't like wooden exteriors because of the fire hazard.
ReplyDeleteAlas, that was how they built 'em 100 years ago.
DeleteVery classy, but they like their white paint don't they!
ReplyDeleteI think the white is used to sell the house. This way you see the rooms and not the paint color.
DeleteJulia Morgan and the whole idea of this grabs me. Great spaces, light, and views. But this just doesn’t sing to me.
ReplyDeleteMy one quibble is that I'd like a nicer front yard to enter the house.
DeleteI knew I wouldn't be the first one to comment on it needing a little color. And no counter space by the kitchen range. I would want to update the kitchen and baths.
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